Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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CARPACCIO, Vittore
Martyrdom of the Pilgrims and the Funeral of St Ursula (detail)

ID: 32274

CARPACCIO, Vittore Martyrdom of the Pilgrims and the Funeral of St Ursula (detail)
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CARPACCIO, Vittore Martyrdom of the Pilgrims and the Funeral of St Ursula (detail)


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CARPACCIO, Vittore

Italian High Renaissance Painter, ca.1450-1525  Related Paintings of CARPACCIO, Vittore :. | The Calling of Matthew dsf | two venetian women | Departure of the Pilgrims (detail) | Arrival of the English Ambassadors g | The Baptism of the Selenites (detail) ds |
Related Artists:
May Wilson Preston
American , 1873-1949
maurice de vlaminck
maurice de vlaminck,1876 to 1958,French painter, printmaker, draughtsman and writer. His nature, character, tastes and way of life were in perfect harmony with the freedom, daring and violence of his painting. He was brought up in a musical environment: his father, of Flemish origin, was a violin teacher and his mother, from Lorraine, was a piano teacher. He studied music himself to quite a high standard and later played the double-bass (and sometimes the bass drum, a source of considerable pleasure) in his regimental band. His family had come to live at Le V?sinet near Paris, and he spent his childhood both there and later at Chatou on the Seine. From 1892 he began to take an interest in painting, though he worked as a mechanic and became a racing cyclist.
Gian Lorenzo Bernini
Italian sculptor , b. 1598, Napoli, d. 1680, Roma ,Italian architect and artist credited with creating the Baroque style of sculpture. He began his career working for his father, a sculptor. Among his early sculptures are Apollo and Daphne (1622 -C 24) and an active David (1623 -C 24). Under the patronage of Urban VIII, the first of eight popes he was to serve, he created the baldachin over the tomb of St. Peter in Rome. Bernini's architectural duties increased after 1629, when he was appointed architect of St. Peter's Basilica and the Palazzo Barberini. His works often represent a fusion of architecture and sculpture, as in the Cornaro Chapel, in Santa Maria della Vittoria, Rome, with its celebrated theatrical sculpture, The Ecstasy of St. Teresa (1645 C 52). His greatest architectural achievement is the colonnade enclosing the piazza before St. Peter's.






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